Pah-d'-Bah, 2021 was made to follow a horizontal plane, restricted in certain directions, it had to follow set dimensions. The openings in the pipes suggest places where liquid or a substance could fall or be collected. The colour tone is a new development, trying to emphasise where material might move or rest.
Olivia Bax (b. 1988 Singapore) lives and works in London. She graduated from BA Fine Art at Byam Shaw School of Art, London (2010); and MFA Sculpture at Slade School of Fine Art, London (2016). Selected exhibitions include: Home Range, Holtermann Fine Art, London (2022); Spill, L21, Palma de Mallorca, Spain (2022); Pah-d’-Bah, HS Projects, London (2021); Off Grid, Mark Tanner Sculpture Award Exhibition, Standpoint Gallery London (2020), touring to Cross Lane Projects, Kendal (2020/21) and Tremenheere Sculpture Gardens (2021); Gleaners: Olivia Bax & Hannah Hughes, Sid Motion Gallery, London (2020/21); Chute, Ribot Gallery, Milan (2019/20); 3rd Edition, Contemporary Sculpture Fulmer, UK (2019); Roost, Lily Brooke Gallery, London (2018); Adieu to Old England, The Kids are Alright, Choi & Lager, Cologne (2019/20); at large, VO Curations, London (2018); Harder Edge, Saatchi Gallery, London (2019); Olivia Bax | Milly Peck | Rafal Zajko, Three Works, Scarborough (2018); A Motley Crew, Larsen Warner Gallery, Stockholm (2017).
Prizes include The Mark Tanner Sculpture Award (2019/20); Kenneth Armitage Young Sculptor Prize (2016), Additional Award, Exeter Contemporary Open, Exeter Phoenix (2017).
Pah-d'-Bah, 2021 was made to follow a horizontal plane, restricted in certain directions, it had to follow set dimensions. The openings in the pipes suggest places where liquid or a substance could fall or be collected. The colour tone is a new development, trying to emphasise where material might move or rest.